Tag: disco

Deep and Diverse

deep and diverse music

Welcome to the latest Voxel Records news from March 2018!

This month, we found yet more deep and diverse tracks, showing off some great production talent – listen to the playlist and read more about them below.

Back in the studio, Maze Car continues to work with a couple of new artists on tracks for release this year. With each songwriter bringing urban and folk vibes into the studio, our resident producer is adding the xtronica suffix for new and interesting results.

Meanwhile, in the news, it seems that the inevitable has finally caught up with our social media masters. Indeed, the incessant hunger for personal data means abuse is rife. The resulting dip in public trust is the theme observed in Maze Car’s 2014 release Trust Me. Who would have thought we could be so prophetic …?

First on the playlist this month is Dove Holes by Spite Zoo. This could be considered a kind of showcase for Manchester’s Matttech Modular euro-rack synth store, but this is no detriment to the epic exploration of evolving tones that lovingly immerse us here. A maze of modular timbres echo and dance around the stereo field until all the rhythms are bound together by a solid deep bass line and acoustic dub drum loop. It’s well worth taking a quarter hour to meditate within this labyrinthine production, which is a perfect polygamy of modular, dub and funk.

Standing out proudly on the Eyes. All. Red. EP, the glitch intro of Satisfye‘s Decay deals us a heavy dose of dub shuffle with its simple wubbing rhythms. The purity of the groove is lost when the track breaks down, but the mood is rebuilt with a long pad that ascends into plodding stabs of synth-wave disco. With this track, Satisfye proves there is no need to be adventurous with melody when the sound palette and rhythms are so succulent: Fat. Deep. Wide.

Lastly, Heather Jayne offers up her latest track Better Than This as a quality follow up to last month’s Let Me In. Heather’s pouting, urban vocal is immediately familiar, warm and accessible to any lover of modern urban pop. Gritty backing vocal loops and swirling effects are spun into the captivating production and garnished with acoustic drum accents. The essence of tape-spliced loops are the original hallmark of Heather’s production, presenting all the wow and flutter of lo-fi alongside the brilliance of contemporary urban soul-tronica.


The Darker Side of Indietronica

voxel records discover indie electronica october

This month, we have found ourselves drawn to the darker side of indie electronica, as Autumn closes in and Halloween lurks on our doorstep. We have found another formidable clutch of tracks which we recommend you check out, ranging from electro thrash to sci-fi disco.

Out first discovery in Soundcloud this month was 192tentacles by Japanese experimental electronic rock bad Paris death Hilton. The mangled chip-tune synthesizers cast a spine-tingling shadow over what may otherwise be cutesy timbres, and these complement the incredible live drum performance. There are hints of heavy metal in the arrangement, but the musicianship and vibe result in a new take on electro rock, landing somewhere in the vicinity of angry Atari Teenage Riot and shouty Melt Banana. Fresh thrash – best served NOW.

The creepy imagery of Knots by electronic post-punks Ribcrow is well-timed for a Halloween drop, and this represents one of the groovier tracks from their current EP Defective Plexus. The hip-hop drum loop leads into a detached and dreamy mood, with light and airy vocals that belie a darker lyrical theme. With this EP, Ribcrow definitely create a mould of their own, and it is available to download on Bandcamp. Turn it up, and let it envelop you.

Our first trip over to Orfium this month revealed Gott ist Tot by Electrodaimon. Synth sounds sparkle in the mellow shadows of this pure and simple electro groove, where analog bells chime above the thin, shredded synths as they phase together over rhythmic ripples anchored to a sumptuously distorted bass drum. Releases from Electrodaimon are few and far between, but what exists is beautifully polished and sculpted.

Carousel is a free download from Hamburgers Gatwick that tempts us into further listening. The simple side-chained synth moods and minimal percussion underpin a seductive vocal, echoing the melancholia of Beth Gibbons and the soulfulness of Shingai Shoniwa. This track is just a foot in the door for even more, so we recommend you go have a listen to their current 7-track EP Boundless to sample their wares.

Bandcamp brought us to In The Shadows by Sunrom, which features on a current release by French label Place For Us along with various artists. The intro whistles like wind into a slow, dark groove peppered with clicks of glitchy percussion, as deep undertones sway in and out, playing off each other before merging into a muffled, mysterious hip-hop that fills your head with cotton-wool melodies. A beautiful creation.

Your Monster Is Me is the first track on It Came From Beyond Eternal September by mad scientists Ugress. An infectious off-beat side-chained groove, growling synth and cinematic suspense meld into a style that looks to create a great live show. This is strongly recommended for anyone who, like us, loves sci-fi disco laced with a feint touch of Royksopp.