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Welcome to our latest update from the world of underground music! During the month of February we have found some more awesome tunes as producers make use of their influences to transcend typical genres. The very nature of these crossovers means that we can’t put a label on the music – and that’s just the way we like it!

Maze Car has spent the last few weeks crossing various boundaries of his own, using some delicious new synths to explore the grooves that lurk between dub, chiptune and house. Head over to the Maze Car blog to hear about how he is stitching his latest demo together.

First on the playlist, though, is From Within, by Canadian synthwave sci-fi gurus c+d. This song is driven from the outset by stabs of thin bass and hissing snares, and the mood is lifted by every iteration of the powerful chorus. The mix fills with dirty synth-vox and wiry strings, and Donna’s vocals gain a dramatic urgency as she tries to keep her head above water. The c+d sound is reminiscent of Broadcast and Add N to (X) (wink), but there are also clear nods to NIN and Depeche Mode. There are more great sounding songs on their stream – so go have a listen!

Next up is Tune WIth Horse by aLLriGhT (featuring Horse). This pair of London DJs drops us straight into rude, spitting synths and heavy, plodding drums. The basic monotonic riff does battle with pitch bending buzzes and shredded arcade effects, resulting in a sound potent enough to demolish the sound system without the need for excessive bpm. Mike and Luke throw slow, weighty techno that was born and razed on the dance floor – keep checking their blog for more releases throughout this year. This is loud. With added Horse.

Finally, Irrealiser beta is the very latest from Japan-based producer Christmas (a.k.a. Dear McQueen), and the track is available for free download. The music has all the power of that uplifting, big hall techno vibe, but it is constructed from a brighter sonic palette and more stimulating grooves. The aggressive synths squawk and squeal over the boom of the beats, resulting in a style that takes old-skool Faithless to a new level of breaks, grit and groovy bass.