Category: Indie Electronica News

Dark Electronic Experiments

voxel records theremin music experiment

welcome to our latest update from the world of underground indie electronica. this month we found some experimental producers making music with a dark and moody edge, and the tracks on the playlist are tinged with styles that sculpt acid, techno, electro, dub-step and ambient into their creators’ own niche. have a listen!

First, we found Tabula Rasa which is from last year’s album SEUIL by ArtSaves. This has recently been given the remix treatment with brand new versions of most tunes. The original version of this particular track opens with a slow, haunting techno riff whistling behind bit-crushed percussion, but the rhythms slowly build as bass drum decay extends into an anchoring riff. The pace evolves by its rhythmical complexity, before a giant pad chops the track in two. The string synth signatures of this second movement intertwine into an echoing, ambient soundscape swollen with subtle motifs before fading into the gentle pick of acoustic guitar. This is a sophisticated production which is recommended for fans of Autechre and LFO.

Simplextro by Ring Theory launches us into a swamp of pacey effects from the outset. As the effects subside, the track breaks down into an innocent piano riff before reaching out its spiny tentacles to mash up the track with more effects wizardry. Whilst the production lacks the full bottom end typical of mainstream dub step, the adrenaline builds and nimble drum fills keep it true to the form. The production does well to encapsulate the simplicity of dub step into a more measured, electro context without mounting a full on and uncontrollable assault across the frequency spectrum.

The Time Will Never End by German producer n8front is introduced by a soft, steady heart beat from an electro bass drum accompanied by a sustained vocal pad. A breathy aqualung is sprinkled across the mix, before it breaks into a plodding, yet complex rhythmic shuffle. it is the lumbering variations in the percussion that drive the track, allowing simple sustained pads to breathe their mystery through it. The heavy rhythmical backbone sinks this track into the earth, and the lighter melodic tones to drift around it like mist.

Dark Ecstacy is the only track available from TiNO KREY on the Soundcloud stream. It opens with old-skool acid rave voices prodding a minor 3-note riff that is rendered by a howl reminiscent of the classic Korg M1 synth. The dry 808 drums add unadulterated authenticity, but the rhythms swing in and out of traditional acid and contemporary trap to give the whole arrangement its modern edge. If you’re looking for a bit of that retro rave spice then follow TiNO for any future tracks!

 


Stitching Glitch

staffie graffiti

The influence of glitch production has worked its way throughout the underground music community over the last decade or so, being used for a subtle tonal and rhythmical garnish and full-on abstract music concrete. This month we have selected a few tracks that demonstrate just how well it can be merged with other musical styles.

First on the playlist we have shared IT Breaks ME by Alecek. Bulgarian producer Alexander Ivanov kicks off with a dark and moody hip-hop shuffle, which anchors abrasive rhythms and tones that pepper the track with Gatling fire. A fluid bass persists the groove beneath, making this track a great example of contemporary glitch hop. Alecek has many more abstract and extreme examples of glitch production available on his stream – so we recommend that you don your Kevlar ear protectors and dive right in.

Glitch Hop (work in progress) is a track by the (presumably) Japanese producer Film, a.k.a Wataranai. Uplifting synth-wave riffs conjure Megadrive memories of Sonic the Hedgehog at a Power Puff disco, and the generally sugary complexion of the track is reinforced with skinny drums and playful pianos. There ain’t a lot of glitch or hop in this track, but it places itself beautifully right in the middle of chip-tune and synth-wave. Definitely one for a feel-good road-trip atmosphere.

Finally, we have Funky Feeling by Skank Spinatra. This is creation by UK-based producer Edward Clarke starts off with the as a simple combo of pure funk licks from guitar, drums and bass but then takes us on a journey through hip-hop and jazz before building into a crazy glitch breakdown. The blend of all these styles demonstrates a finesse worked expertly into a warm club vibe, making the track a welcome addition to your summer party playlist.

 


Wild Ambient Spaces

misty mellotron wilderness

Here we are again with a small collection of tracks we found whilst scouring the internet during May. The modern trip hop and ambient production techniques used in these tracks all conjure up a hint of wilderness and remote open spaces, so the combination of urban styles with organic influences makes these producers well worth following if you are hungry for laid back ambient and trip hop.

First on the playlist, we are lowered gently into iamforest‘s Hollie by tape-effected strings and vinyl crackles, before the crystal clear wave of drums, arps and pads spills across the soundscape. Each instrument, including the subdued vocal, takes a turn to dominate as the arrangement ebbs and flows between lolloping trip-hop and a frothing wall of dreamy sound. From the acoustic components this track seeds auras of peaceful wilderness, whilst still capturing the energy and buzz supplied by the subtle electronic tones.

Next up, spotted towhee by Melody Monroe opens with ambient whistles hidden behind a bassy, bold organ riff. Melody’s sultry vocal opens up the track as it breaks away into trance-like filter sweeps, and the energy of the organ rhythm continues to pick up the pace along with the percussion. Mountainous shapes loom throughout this music, which shows off contemporary, creative production skills alongside traditional songwriting talent. Get following for more!

Finally, Living Underwater by Marjen comprises four short discrete pieces in a similar vein, like nuggets of gold gleaming from the bed of mountain stream. The first section straight up infects us with the funk of a double bass and drum loop, peppered with climactic strings and whistles. Simple bass lines and fluttering echoes are present throughout each section as it is driven by delicate, captivating drum patterns. With all the karma of LTJ Bukem lazing in a sunny mountain rock pool, this spacious, ambient groove will have you laid back within seconds.

 


Quirky Grooves

Welcome to our run down of quirky grooves we discovered in the last month.

First on the playlist is Plastic Dreams by Kid Glow. The track opens with the grating dissonant tones of chip-tune synth, setting expectations for 8-bit retro chimes and trills. But instead, the tune rolls in an immense side-chained bass and shuffle, kicking a masterful groove on the off beat to form a weighty hip hop. Subtle space noises circulate as synth melodies become more sophisticated, but this is essentially a track that counters the simplicity of its riffs with the bold roundness of its timbres. Love that groove.

Kick the Wolf by Low Level Enemy is introduced by a child-like finger-prodded riff played on a prominent synth bass. As the rhythm section waddles along, dreamy reverberating synth arpeggios intertwine in the mix beneath. It is these airy melodies at stark odds with the weighty staccato of the drums and bass that form a perfect contradiction and make the track stand out.

Drone by The Shade Structure is introduced and underpinned by a slow, intricate acoustic drum performance; but it is the subtle myriad of individual electronic timbres that swarm underneath the warm and gentle vocal that give depth to this song. The lyrics eventually give way to many tracks of improvisation and electro wonderment to form this individual and experimental composition. Check out more of The Shade Structure’s stream for more bold experiments.

Finally, Burn Down The Disco is a track from the current EP Living Space Head Space by the Space Kiddettes, which is available now on Bandcamp and demonstrates the duo’s super-compressed hi-skool synth pop brand. A gawky synth riff drives a song peppered with simple percussion and a monotone pseudo-rap, and the result is truly appealing – like the sweet yet bitter sensation of lemon drops. Bis Ting Ting.

 


Mellow Sounds For Spring

spring sounds

This month sees us waving goodbye to a season, a financial year and a relationship with our neighbouring continent. It’s been a hard search for new music, but we’ve managed to find some mellow tunes for the spring time to help us chill out in the longer evenings, whilst remembering that it’s still dark in the morning for a while yet … !

First on this month’s play list is Reaction by the Australian synth pop pairing of Amos and Emily. The track opens with a gentle filter which slowly reveals the soft velvet of Emily’s vocal. A complex backing arrangement of fizzing pads, keys, and sticky bass complements the simplicity of the singing, and opportune drops are bridged by subtle well placed motifs. This is a well crafted arrangement which you might find yourself whistling to.

Meanwhile, on the other side of the world, New Yorker Philosofie entices us with her mellow Flavors. Soulful trills of percussion meander with crisp, subtly filtered vocal droplets, and lounge rhythms prod and sway subtly under a skillful composition of simple arps and keys. The whole package well produced, and brings to mind butterflies and blossom floating out of sonic hibernation, so this is something for the dreamy.

Finally, we found No Desire To Wake Up from Russian producer Vodiche‘s current album The Tunnel. The dark mood of the track is indeed reminiscent  of underground passageways as the simple, clean particles of sound glint and sparkle across the stereo image. Combined with the anchor of no-frills acoustic drum textures, this is definitely one for fans of Orbital or other moody IDM.


Music With Character

voxel records

Welcome to our latest update from down here in the indietronica underground …

The playlist opens this month with Jigsaw Puzzle Glue as they give synthwave the Seattle treatment with 3-2-1, the first track on the current album. A guitar riff intro is echoed by synth bells, before simple yet familiar drum textures introduce synth bass stabs and Leah Rosen’s subdued vocals. The 1980s timbres are sculpted skilfully, and emotion pervades throughout the arrangement. The track peaks with a cascading wall of synth arpeggios and reverberating harmonies, all of which combine into some really personable retro synth pop.

Next, we found Not A Sign by The Tablets, released to us by boutique Brooklyn label Mon Amie Records. Immediately, we are pounced upon by this pacey pop punk with short stabs of hard-panned guitar distortion. A dirty synth wanders deep within the noise, and in all The Tablets’ bold production is both exciting and uncomplicated. This small label also provides a home for other interesting talents – why not try BreastMilk‘s Nite Life for shades of Add N to (X) and a shadow of Sheep On Drugs …?

Good Cool records introduced us to Questions About The Jungle by Seedge. A playful intro of synth noodling drops into a percussion track that shuffles with the riffs along with occasional decoration from the vocals. Whilst markedly less sinister, there is a slight feel of NIN’s Closer within this track, although it is certainly no emulation. The groove is compelling, and the mixture of synth parts is stimulating, so it’s definitely worth checking out the rest of the Seedge stream.

Finally, we have Ironface by Basic Printer on Newlywed Records. The track combines 8-bit and synthwave instrumentation with softer pads and leads, which add a gentler dynamic to complement the beautifully growling bass. Jesse Gillenwalters’  indie pop vocal sits comfortably against the serrated edge of chip-tune buzzes, and the experimental arrangement make this an adventure in synth pop with a subtle hint of the Sergeant Pepper.

 


Fresh New Sounds

voxel records pixel headphones

Welcome to our round up of new tracks discovered in the internet this month. Wrestling with the search engines in the online music community has proved challenging, but we have still managed to pull together a small clutch of tunes by underground producers that stand out from the crowd.

Meanwhile, resident producer Maze Car has been researching another genre of electronic music to accompany our next Electronic Music Adventure, following on from our deconstruction of techno back in December. Which style of music will we choose …? Watch this blog over the next few weeks to find out!

First up on the playlist this month is Chemistry by tv room, which presents us with some really fresh production techniques. Eli Ganem produces 8-bit bedroom hip-hop that carries melodic emotion and quirkiness together in perfect harmony. Game fx pitch and echo around a soft, restrained vocal; and voluminous stabs of well sculpted synths add an extra dynamic. The small collection of short songs on the tv room stream make for similarly intriguing listening, and this original writing is sure to find favour with followers of other experimentalists like Moloko and Broadcast.

Next, we found James Pond by Japanese theremin master Kuritez. This short piece is introduced by synthesised droplets that set the mood of water falling on water. Subtle percussion opens up the production as it continues to swell with analog bass, subtle bells and acoustic piano stabs. The drums mature into weighty band-limited bass and snare as the brighter layers of delayed, staccato synth arps continue to play off each other before the music submerges once more. Innovative sounds.

Finally, Jet Jazimov introduced us to Women Of Mars,  which, somewhat ironically, represents synthwave coming of age. Much music of this genre places its tongue firmly in its cheek and only aims to mimic the sound of the 1980s arcades and garish graphics. This track, however, harnesses romantic timbres and chord sequences above soft jangling guitar to produce a sensitive and genuine song. The wavering guitar progression and complementary synth interplay polish the track off sweetly. True.


Experimental and Left Field Music

voxel records experimental and left field music

We’re here again to share with you some of the best experimental and left-field music we discovered this month. It has been a difficult year with the loss of so many influential musicians, but they leave us a positive and enduring legacy as we move into 2017.

First on the play list this month is Sakana by Japanese outfit Macaroom. This is the first track on the album Home Phone TE, which is available for download on Bandcamp. A chip-tune organ intro soon gives way to light, sugary vocals which soar above cascading waves of acoustic percussion and jazz horn. The rest of the album is well worth exploring, as it applies this mellow and organic texture to a sweet combination of glitch, chip and jazz.

Next up is Polyamorhythm by performers JPTR. This uncomplicated arrangement of vocals and percussion develops a marching band into a vintage disco funk vibe, as the vocals are layered across harmonies, registers and lyrics to create their own poly-amorous finale. This track, like other recent work by JPTR, is soulful, provocative and simple in its construction.

Team Dream by High Five Spaceship is a track that illustrates the creativity and diversity of Christopher Bingham‘s London collective, whilst still being immediately accessible. The long string intro segues into a throbbing bass and stumbling trip-hop percussion, where each sound is meticulously selected and sculpted with an immaculately captured vocal duet. The track is almost obsessively laid-back and is definitely one for followers of Massive Attack.

The last track on our Soundcloud playlist is Troll Stomper by Aytch. This is a track we discovered recently on Orfium, although it is actually from the EP Assuming Ultimate Form dating from way back in 2014. We’re not sure how we survived without Aytch – this glitch hop spits spiky, shuffling beats and raw bass which messes with your brain and body to glorious effect. Twist, turn and twitch through the rhythms and check out some of the more recent stuff on the Aytch stream.

Finally, we found Chewing Gum by 1Voct. This simply, electronic adventure begins with a slow analogue sweep that bristles with a shade of distortion before the hard-knock drums and bass line develop. The purity of the sound is addictive, and the almost melancholy improvisation of modulated leads is crammed full of taste. We were unable to track down anything else by this producer, but you can show your love by downloading this track for free. More please!


Hidden Pop Joy

voxel records hidden pop

Welcome to the November news from Voxel Records!

The latest Maze Car single Those Shallow Games is now available in all major online retailers, but it is FREE for you to download right now from Orfium, Bandcamp and SoundCloud, so please play, like and share!

Coming up in December we will also be publishing the first of many investigations into the classification of musical styles. The aim is to analyse some of the labels and categories applied to music, from the very basic through to the unfathomable. We will be deconstructing and reconstructing various genres in the Red Six studio, and sharing a free demo track with every installment. Keep your eyes on the blog for updates – who knows how far this journey will take us …?

Once again this month, our ears have taken us on a journey through the very latest underground releases on Orfium, SoundCloud and Bandcamp. We have stumbled across the next Lady Gaga, found some great but unshareable music and finally managed to collate a few tunes we think are worth a listen – scroll down for the reviews.

Despite the somewhat incongruous presence of the bass drum, Let Me In is a great production from London collective Lyne. The gentle introduction soon builds up the pace, adding shimmering urban trills to the backing synths in place of the more traditional traps. The instrumentation rightly gives way to the excellent vocal performance that is more than tinged with the character of Adele, and this is no bad thing. The music is already fulfilling its potential as it gathers a ton of plays, so check it out now.

Candle Light is an experimental production by Lebanese producer Stephanie Merchak, Here, mellow trap clicks introduce feel-good melodies constructed from gentle chimes and gently distorted vibrato keys. A fluttering of bit-crushed chip-tune motifs precede the thin pad break down, before the tune resumes with a phased signature of accordion. The endearing and stimulating timbres glitch their way through this track, and indeed throughout the parent album From Dusk Til Dawn.

Bitter Brain appears to be the only track available from Texan duo Tripl3ts, so we hope there is more in the pipeline. A deep, dark monastic humming that borders on the satanic opens this track like a chasm, before familiar soulful vocal exercises and provocative effects are married with the powerful undertow of dub step and trap. The addictive pitched-drum bass licks bring extra greatness to this track, as it plays out with twitching trap hats. And it’s a free download!

Pay heed to the capitalisation of TechNo by US collaborators Casio Playa, because this is far from a pounding club track. The simple, clean production enables a heavy down beat hat to anchor a groovy synth-wave jam session, as choppy synths twirl and riffs emerge and subside with light-touch back up from the pads. This pair of artists have posted plenty more of their ruminations on various music styles, so tune in to their stream for fun sounds.


The Darker Side of Indietronica

voxel records discover indie electronica october

This month, we have found ourselves drawn to the darker side of indie electronica, as Autumn closes in and Halloween lurks on our doorstep. We have found another formidable clutch of tracks which we recommend you check out, ranging from electro thrash to sci-fi disco.

Out first discovery in Soundcloud this month was 192tentacles by Japanese experimental electronic rock bad Paris death Hilton. The mangled chip-tune synthesizers cast a spine-tingling shadow over what may otherwise be cutesy timbres, and these complement the incredible live drum performance. There are hints of heavy metal in the arrangement, but the musicianship and vibe result in a new take on electro rock, landing somewhere in the vicinity of angry Atari Teenage Riot and shouty Melt Banana. Fresh thrash – best served NOW.

The creepy imagery of Knots by electronic post-punks Ribcrow is well-timed for a Halloween drop, and this represents one of the groovier tracks from their current EP Defective Plexus. The hip-hop drum loop leads into a detached and dreamy mood, with light and airy vocals that belie a darker lyrical theme. With this EP, Ribcrow definitely create a mould of their own, and it is available to download on Bandcamp. Turn it up, and let it envelop you.

Our first trip over to Orfium this month revealed Gott ist Tot by Electrodaimon. Synth sounds sparkle in the mellow shadows of this pure and simple electro groove, where analog bells chime above the thin, shredded synths as they phase together over rhythmic ripples anchored to a sumptuously distorted bass drum. Releases from Electrodaimon are few and far between, but what exists is beautifully polished and sculpted.

Carousel is a free download from Hamburgers Gatwick that tempts us into further listening. The simple side-chained synth moods and minimal percussion underpin a seductive vocal, echoing the melancholia of Beth Gibbons and the soulfulness of Shingai Shoniwa. This track is just a foot in the door for even more, so we recommend you go have a listen to their current 7-track EP Boundless to sample their wares.

Bandcamp brought us to In The Shadows by Sunrom, which features on a current release by French label Place For Us along with various artists. The intro whistles like wind into a slow, dark groove peppered with clicks of glitchy percussion, as deep undertones sway in and out, playing off each other before merging into a muffled, mysterious hip-hop that fills your head with cotton-wool melodies. A beautiful creation.

Your Monster Is Me is the first track on It Came From Beyond Eternal September by mad scientists Ugress. An infectious off-beat side-chained groove, growling synth and cinematic suspense meld into a style that looks to create a great live show. This is strongly recommended for anyone who, like us, loves sci-fi disco laced with a feint touch of Royksopp.