Tag: trip-hop

Wild Ambient Spaces

misty mellotron wilderness

Here we are again with a small collection of tracks we found whilst scouring the internet during May. The modern trip hop and ambient production techniques used in these tracks all conjure up a hint of wilderness and remote open spaces, so the combination of urban styles with organic influences makes these producers well worth following if you are hungry for laid back ambient and trip hop.

First on the playlist, we are lowered gently into iamforest‘s Hollie by tape-effected strings and vinyl crackles, before the crystal clear wave of drums, arps and pads spills across the soundscape. Each instrument, including the subdued vocal, takes a turn to dominate as the arrangement ebbs and flows between lolloping trip-hop and a frothing wall of dreamy sound. From the acoustic components this track seeds auras of peaceful wilderness, whilst still capturing the energy and buzz supplied by the subtle electronic tones.

Next up, spotted towhee by Melody Monroe opens with ambient whistles hidden behind a bassy, bold organ riff. Melody’s sultry vocal opens up the track as it breaks away into trance-like filter sweeps, and the energy of the organ rhythm continues to pick up the pace along with the percussion. Mountainous shapes loom throughout this music, which shows off contemporary, creative production skills alongside traditional songwriting talent. Get following for more!

Finally, Living Underwater by Marjen comprises four short discrete pieces in a similar vein, like nuggets of gold gleaming from the bed of mountain stream. The first section straight up infects us with the funk of a double bass and drum loop, peppered with climactic strings and whistles. Simple bass lines and fluttering echoes are present throughout each section as it is driven by delicate, captivating drum patterns. With all the karma of LTJ Bukem lazing in a sunny mountain rock pool, this spacious, ambient groove will have you laid back within seconds.

 


Experimental and Left Field Music

voxel records experimental and left field music

We’re here again to share with you some of the best experimental and left-field music we discovered this month. It has been a difficult year with the loss of so many influential musicians, but they leave us a positive and enduring legacy as we move into 2017.

First on the play list this month is Sakana by Japanese outfit Macaroom. This is the first track on the album Home Phone TE, which is available for download on Bandcamp. A chip-tune organ intro soon gives way to light, sugary vocals which soar above cascading waves of acoustic percussion and jazz horn. The rest of the album is well worth exploring, as it applies this mellow and organic texture to a sweet combination of glitch, chip and jazz.

Next up is Polyamorhythm by performers JPTR. This uncomplicated arrangement of vocals and percussion develops a marching band into a vintage disco funk vibe, as the vocals are layered across harmonies, registers and lyrics to create their own poly-amorous finale. This track, like other recent work by JPTR, is soulful, provocative and simple in its construction.

Team Dream by High Five Spaceship is a track that illustrates the creativity and diversity of Christopher Bingham‘s London collective, whilst still being immediately accessible. The long string intro segues into a throbbing bass and stumbling trip-hop percussion, where each sound is meticulously selected and sculpted with an immaculately captured vocal duet. The track is almost obsessively laid-back and is definitely one for followers of Massive Attack.

The last track on our Soundcloud playlist is Troll Stomper by Aytch. This is a track we discovered recently on Orfium, although it is actually from the EP Assuming Ultimate Form dating from way back in 2014. We’re not sure how we survived without Aytch – this glitch hop spits spiky, shuffling beats and raw bass which messes with your brain and body to glorious effect. Twist, turn and twitch through the rhythms and check out some of the more recent stuff on the Aytch stream.

Finally, we found Chewing Gum by 1Voct. This simply, electronic adventure begins with a slow analogue sweep that bristles with a shade of distortion before the hard-knock drums and bass line develop. The purity of the sound is addictive, and the almost melancholy improvisation of modulated leads is crammed full of taste. We were unable to track down anything else by this producer, but you can show your love by downloading this track for free. More please!


Trip Hop Talent From June 2016

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Welcome to our round-up of our favourite music discovered this June. As the UK makes its somewhat shambolic and unconvincing way towards exit from Europe, we hope we can still be friends! There is a down-tempo trip- and hip-hop feel to the playlist this month – so check out the reviews below! Maze Car has been fiddling with a remix of Those Shallow Gamesyou can also have a listen to it here.

The Way by Jenny Jumble opens with a dark, modulating synth intro and subtle whistling tones. JJ mixes some soft monotone poetry on top, which builds the track into a trip-hop work tinged lightly with industrial undertones. This is just one example of this songwriter’s often quirky and diverse output – so check out her stream for more intriguing and original sounds, and the FB for some dance vids.

Next up is Assembly Line by Ry-Man (ft. Cristina). Cristina’s sultry vocals introduce what is otherwise a dark trip-hop/rap piece from New York producer Ryan Edwards. The glitchy underlying riffs underpin Ry-Man’s clear and rhythmical diction before a late breakdown re-introduces some layering vocal interplay. This is an uncomplicated and well versed track that showcases Ry-Man’s current capabilities – have a listen to the Bandcamp page for his full discography.

Finally, Hazel by Electronican is a production that is true to the well established trip-hop genre. The retro-movie samples introduce a shuffling drum trill that rides a smooth and smoky wave that undulates throughout the track, and an off-beat mallet drop brightens the groove. The hi-hats pick up the groove before a mellow breakdown and a faint reverberating piano and string sequence mix in for melodic variation in what is otherwise a pretty continuous head-nodding groove.

 


Addictive ambient, indie and trip hop for April 2016

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Welcome to the latest news from the indie electronica underground!

The current Maze Car demo Dub Croaky is still available for FREE DOWNLOAD at Soundcloud until a single release in the summer. Between now and then, Mazey is reworking the demo of Those Shallow Games – you can catch up with his developments on the blog as usual. Also this month, we heard a tweet that there is a film being made about the 1990s music scene in Glasgow – we strongly recommend following the development of Lost In France if you are a fan of indie music history!

Our playlist for April 2016 opens with No Sign On The Door by Kiwi producer Tom Cadillac. The track was apparently produced without the use of computers, and with minimal use of sequencers. Indeed, why would one impose such boundaries on creativity? The movement is based around a compelling groove with a loose and squashy feel, and various twangs and pings are dubbed in to give a hip-hop mood to this experimental ambient music. This is some cool stuff from the other side of the planet that’s well worth a follow.

Fools With Good Intentions by Polaroids Of Dead Lovers opens with a short synth intro before bursting into a lo-fi, jangling guitar riff underpinning Lasse Liisberg’s delicate, echoing vocal. There is a subtle minor-tinged darkness to the tune as the chorus approaches, and the breakdown of bass and synths swirls and reverberates to a half-tempo outro. Here, Lasse has created a track with a retro vinyl vibe which compliments the slightly creepy band name.

Finally this month, Dark Stars* also give us The Creeps: This track from producer DSC opens with a light, fluttering synth which is quickly stamped upon by a massive, lolloping bass drum and stack. The heavier synths dominate as they lumber, fizz and growl their way through this down-tempo trip-hop; and the fearful, quivering vocal line with droplets of theremin add more nervous tension to the mood. Check out the DSC stream for a wide variety of other production capabilities.

 


New music treats from the indie electronica underground

Voxel Zombie Controller

Spooky. It’s nearly Halloween, so the Christmas lights are going up in the neighbourhood. Here at Voxel Records, our tiny minds can only handle one capitalist festival at a time, and only then in chronological order. So we are keeping close to tradition by providing you with a loosely horror-related graphic. And some awesome tunes!

Maze Car has experienced some more tech problems recently. There has been a bit of a horror-show in the studio whilst porting to Windows (so-called) 10, and what seems like a tidal wave of updates to Apple devices. But after all this, the break-bit tune project continues with help from Donkey Kong and Pocket Simon …

First up on the playlist this month is Socio by Wing Tip which represents one of the more recent offerings from this UK producer. We are thrown straight into a shuffling house beat and a powerful, flowing chord progression, which is subsequently peppered with a haunting vocal stab. It gradually builds layers which generate subtle underlying melodies, and the ensemble swells into a turbulence of echoing synths until the drop. This interlude is groovy but brief, before we are launched once again into the wall of sound for a climax. It’s the funky shuffle of the beat that gives this track the edge, and the layers of timbre and melody strengthen the appeal.

Voyager by Exile Pots is one of many abstract, experimental and captivating creations from the Exile Pots back catalog that we discovered recently. The release is by no means new material (having originally been recorded some time ago), but it is new to our ears and maybe yours. The lonely chimes from deep space echo, loop and dance like stars and planetary orbits, and whilst the parent Randomiser EP explores various sonic themes, Voyager is a particularly sweet and gentle example. Inspirational stuff, and lots of it!

Alright by suiix is the result of an apparently international collaboration (Berlin and Sydney) led by Sarah Julienne. The song impresses with mellow, breathy vocals and is blessed with subtle strokes from some skilled guitar drops. The beats stumble and stutter along a trip-hop vein, with pitched percussion peeping through the mix as the creation develops into a cascading flurry of strings, wandering vocals and wild intertwining guitar solos. Altogether this demonstrates some innovative production and arrangements, so hopefully we can expect more from this group in the near future.

 


Voxel Records Newsletter August 2015

 

If a comet was indeed destined to eliminate planet earth in the next month or so, then this does not give us nearly enough time to PANIC. Some say that the offending comet sounds like “hell” but if it’s anything like Rosetta, we think it sounds kinda cute.  Instead of living in abject fear of Armageddon this month, we have been collecting a few more choice echoes from the deep space of electronic music. Not only this, but we have also started generating playlists across various music platforms … keep your eyes on the Voxel Records news feed for the stuff we find!

Maze Car is currently on a voyage of discovery, attempting to create chiptune breaks in 8 bits (or less). We expect some funky, crunchy demos to be emerging soon enough – but just how much can the Maze Car squeeze out of his vintage toy collection?

What else did we find this month?

H-arth by Hyph-n – This producer from Melbourne commits to posting a new track every two weeks. This recent output demonstrates Hyph-n‘s consistent style well: singing synths and dry, weighty basslines play off each other over a laid back tempo. H-arth is full-on and close-up, tripping between a spiky trap impro and a more organic, mellow groove which reclines into the shadows. A bit like star-bathing under a cool night sky.

Co-Star by Michael Lantela – Co-Star opens with sticky glitch-esque trills, and the atmosphere builds into a cogent, rolling trip-hop beat with swirling effects. The bass growls menacingly throughout, and whilst the underlying percussion is often complex, the sheer mass of the crunchy drums keeps a solid underlying rhythm. Further nods to chip-tune and ambient are noted in this heavy, down-tempo affair.

Try To Forget by Laugh Lines – This tune dives into dark, distorted dub waves from the start. it swells and subsides between well-placed breakdowns, and Letitia’s sweet and clipped vocals provide the sheen on the finished product. much like lighting a match in a dark hall, this track illuminates and burns brightly before smouldering to an end in a faint puff of smoke.