Tag: Canada

Wild Ambient Spaces

misty mellotron wilderness

Here we are again with a small collection of tracks we found whilst scouring the internet during May. The modern trip hop and ambient production techniques used in these tracks all conjure up a hint of wilderness and remote open spaces, so the combination of urban styles with organic influences makes these producers well worth following if you are hungry for laid back ambient and trip hop.

First on the playlist, we are lowered gently into iamforest‘s Hollie by tape-effected strings and vinyl crackles, before the crystal clear wave of drums, arps and pads spills across the soundscape. Each instrument, including the subdued vocal, takes a turn to dominate as the arrangement ebbs and flows between lolloping trip-hop and a frothing wall of dreamy sound. From the acoustic components this track seeds auras of peaceful wilderness, whilst still capturing the energy and buzz supplied by the subtle electronic tones.

Next up, spotted towhee by Melody Monroe opens with ambient whistles hidden behind a bassy, bold organ riff. Melody’s sultry vocal opens up the track as it breaks away into trance-like filter sweeps, and the energy of the organ rhythm continues to pick up the pace along with the percussion. Mountainous shapes loom throughout this music, which shows off contemporary, creative production skills alongside traditional songwriting talent. Get following for more!

Finally, Living Underwater by Marjen comprises four short discrete pieces in a similar vein, like nuggets of gold gleaming from the bed of mountain stream. The first section straight up infects us with the funk of a double bass and drum loop, peppered with climactic strings and whistles. Simple bass lines and fluttering echoes are present throughout each section as it is driven by delicate, captivating drum patterns. With all the karma of LTJ Bukem lazing in a sunny mountain rock pool, this spacious, ambient groove will have you laid back within seconds.

 


New innovations in electronica and techno

spook key apple

Welcome to our latest update from the world of underground music! During the month of February we have found some more awesome tunes as producers make use of their influences to transcend typical genres. The very nature of these crossovers means that we can’t put a label on the music – and that’s just the way we like it!

Maze Car has spent the last few weeks crossing various boundaries of his own, using some delicious new synths to explore the grooves that lurk between dub, chiptune and house. Head over to the Maze Car blog to hear about how he is stitching his latest demo together.

First on the playlist, though, is From Within, by Canadian synthwave sci-fi gurus c+d. This song is driven from the outset by stabs of thin bass and hissing snares, and the mood is lifted by every iteration of the powerful chorus. The mix fills with dirty synth-vox and wiry strings, and Donna’s vocals gain a dramatic urgency as she tries to keep her head above water. The c+d sound is reminiscent of Broadcast and Add N to (X) (wink), but there are also clear nods to NIN and Depeche Mode. There are more great sounding songs on their stream – so go have a listen!

Next up is Tune WIth Horse by aLLriGhT (featuring Horse). This pair of London DJs drops us straight into rude, spitting synths and heavy, plodding drums. The basic monotonic riff does battle with pitch bending buzzes and shredded arcade effects, resulting in a sound potent enough to demolish the sound system without the need for excessive bpm. Mike and Luke throw slow, weighty techno that was born and razed on the dance floor – keep checking their blog for more releases throughout this year. This is loud. With added Horse.

Finally, Irrealiser beta is the very latest from Japan-based producer Christmas (a.k.a. Dear McQueen), and the track is available for free download. The music has all the power of that uplifting, big hall techno vibe, but it is constructed from a brighter sonic palette and more stimulating grooves. The aggressive synths squawk and squeal over the boom of the beats, resulting in a style that takes old-skool Faithless to a new level of breaks, grit and groovy bass.