Tag: Japan

Stitching Glitch

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The influence of glitch production has worked its way throughout the underground music community over the last decade or so, being used for a subtle tonal and rhythmical garnish and full-on abstract music concrete. This month we have selected a few tracks that demonstrate just how well it can be merged with other musical styles.

First on the playlist we have shared IT Breaks ME by Alecek. Bulgarian producer Alexander Ivanov kicks off with a dark and moody hip-hop shuffle, which anchors abrasive rhythms and tones that pepper the track with Gatling fire. A fluid bass persists the groove beneath, making this track a great example of contemporary glitch hop. Alecek has many more abstract and extreme examples of glitch production available on his stream – so we recommend that you don your Kevlar ear protectors and dive right in.

Glitch Hop (work in progress) is a track by the (presumably) Japanese producer Film, a.k.a Wataranai. Uplifting synth-wave riffs conjure Megadrive memories of Sonic the Hedgehog at a Power Puff disco, and the generally sugary complexion of the track is reinforced with skinny drums and playful pianos. There ain’t a lot of glitch or hop in this track, but it places itself beautifully right in the middle of chip-tune and synth-wave. Definitely one for a feel-good road-trip atmosphere.

Finally, we have Funky Feeling by Skank Spinatra. This is creation by UK-based producer Edward Clarke starts off with the as a simple combo of pure funk licks from guitar, drums and bass but then takes us on a journey through hip-hop and jazz before building into a crazy glitch breakdown. The blend of all these styles demonstrates a finesse worked expertly into a warm club vibe, making the track a welcome addition to your summer party playlist.

 


New innovations in electronica and techno

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Welcome to our latest update from the world of underground music! During the month of February we have found some more awesome tunes as producers make use of their influences to transcend typical genres. The very nature of these crossovers means that we can’t put a label on the music – and that’s just the way we like it!

Maze Car has spent the last few weeks crossing various boundaries of his own, using some delicious new synths to explore the grooves that lurk between dub, chiptune and house. Head over to the Maze Car blog to hear about how he is stitching his latest demo together.

First on the playlist, though, is From Within, by Canadian synthwave sci-fi gurus c+d. This song is driven from the outset by stabs of thin bass and hissing snares, and the mood is lifted by every iteration of the powerful chorus. The mix fills with dirty synth-vox and wiry strings, and Donna’s vocals gain a dramatic urgency as she tries to keep her head above water. The c+d sound is reminiscent of Broadcast and Add N to (X) (wink), but there are also clear nods to NIN and Depeche Mode. There are more great sounding songs on their stream – so go have a listen!

Next up is Tune WIth Horse by aLLriGhT (featuring Horse). This pair of London DJs drops us straight into rude, spitting synths and heavy, plodding drums. The basic monotonic riff does battle with pitch bending buzzes and shredded arcade effects, resulting in a sound potent enough to demolish the sound system without the need for excessive bpm. Mike and Luke throw slow, weighty techno that was born and razed on the dance floor – keep checking their blog for more releases throughout this year. This is loud. With added Horse.

Finally, Irrealiser beta is the very latest from Japan-based producer Christmas (a.k.a. Dear McQueen), and the track is available for free download. The music has all the power of that uplifting, big hall techno vibe, but it is constructed from a brighter sonic palette and more stimulating grooves. The aggressive synths squawk and squeal over the boom of the beats, resulting in a style that takes old-skool Faithless to a new level of breaks, grit and groovy bass.