Tag: underground

Stitching Glitch

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The influence of glitch production has worked its way throughout the underground music community over the last decade or so, being used for a subtle tonal and rhythmical garnish and full-on abstract music concrete. This month we have selected a few tracks that demonstrate just how well it can be merged with other musical styles.

First on the playlist we have shared IT Breaks ME by Alecek. Bulgarian producer Alexander Ivanov kicks off with a dark and moody hip-hop shuffle, which anchors abrasive rhythms and tones that pepper the track with Gatling fire. A fluid bass persists the groove beneath, making this track a great example of contemporary glitch hop. Alecek has many more abstract and extreme examples of glitch production available on his stream – so we recommend that you don your Kevlar ear protectors and dive right in.

Glitch Hop (work in progress) is a track by the (presumably) Japanese producer Film, a.k.a Wataranai. Uplifting synth-wave riffs conjure Megadrive memories of Sonic the Hedgehog at a Power Puff disco, and the generally sugary complexion of the track is reinforced with skinny drums and playful pianos. There ain’t a lot of glitch or hop in this track, but it places itself beautifully right in the middle of chip-tune and synth-wave. Definitely one for a feel-good road-trip atmosphere.

Finally, we have Funky Feeling by Skank Spinatra. This is creation by UK-based producer Edward Clarke starts off with the as a simple combo of pure funk licks from guitar, drums and bass but then takes us on a journey through hip-hop and jazz before building into a crazy glitch breakdown. The blend of all these styles demonstrates a finesse worked expertly into a warm club vibe, making the track a welcome addition to your summer party playlist.

 


Hidden Pop Joy

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Welcome to the November news from Voxel Records!

The latest Maze Car single Those Shallow Games is now available in all major online retailers, but it is FREE for you to download right now from Orfium, Bandcamp and SoundCloud, so please play, like and share!

Coming up in December we will also be publishing the first of many investigations into the classification of musical styles. The aim is to analyse some of the labels and categories applied to music, from the very basic through to the unfathomable. We will be deconstructing and reconstructing various genres in the Red Six studio, and sharing a free demo track with every installment. Keep your eyes on the blog for updates – who knows how far this journey will take us …?

Once again this month, our ears have taken us on a journey through the very latest underground releases on Orfium, SoundCloud and Bandcamp. We have stumbled across the next Lady Gaga, found some great but unshareable music and finally managed to collate a few tunes we think are worth a listen – scroll down for the reviews.

Despite the somewhat incongruous presence of the bass drum, Let Me In is a great production from London collective Lyne. The gentle introduction soon builds up the pace, adding shimmering urban trills to the backing synths in place of the more traditional traps. The instrumentation rightly gives way to the excellent vocal performance that is more than tinged with the character of Adele, and this is no bad thing. The music is already fulfilling its potential as it gathers a ton of plays, so check it out now.

Candle Light is an experimental production by Lebanese producer Stephanie Merchak, Here, mellow trap clicks introduce feel-good melodies constructed from gentle chimes and gently distorted vibrato keys. A fluttering of bit-crushed chip-tune motifs precede the thin pad break down, before the tune resumes with a phased signature of accordion. The endearing and stimulating timbres glitch their way through this track, and indeed throughout the parent album From Dusk Til Dawn.

Bitter Brain appears to be the only track available from Texan duo Tripl3ts, so we hope there is more in the pipeline. A deep, dark monastic humming that borders on the satanic opens this track like a chasm, before familiar soulful vocal exercises and provocative effects are married with the powerful undertow of dub step and trap. The addictive pitched-drum bass licks bring extra greatness to this track, as it plays out with twitching trap hats. And it’s a free download!

Pay heed to the capitalisation of TechNo by US collaborators Casio Playa, because this is far from a pounding club track. The simple, clean production enables a heavy down beat hat to anchor a groovy synth-wave jam session, as choppy synths twirl and riffs emerge and subside with light-touch back up from the pads. This pair of artists have posted plenty more of their ruminations on various music styles, so tune in to their stream for fun sounds.


New music treats from the indie electronica underground

Voxel Zombie Controller

Spooky. It’s nearly Halloween, so the Christmas lights are going up in the neighbourhood. Here at Voxel Records, our tiny minds can only handle one capitalist festival at a time, and only then in chronological order. So we are keeping close to tradition by providing you with a loosely horror-related graphic. And some awesome tunes!

Maze Car has experienced some more tech problems recently. There has been a bit of a horror-show in the studio whilst porting to Windows (so-called) 10, and what seems like a tidal wave of updates to Apple devices. But after all this, the break-bit tune project continues with help from Donkey Kong and Pocket Simon …

First up on the playlist this month is Socio by Wing Tip which represents one of the more recent offerings from this UK producer. We are thrown straight into a shuffling house beat and a powerful, flowing chord progression, which is subsequently peppered with a haunting vocal stab. It gradually builds layers which generate subtle underlying melodies, and the ensemble swells into a turbulence of echoing synths until the drop. This interlude is groovy but brief, before we are launched once again into the wall of sound for a climax. It’s the funky shuffle of the beat that gives this track the edge, and the layers of timbre and melody strengthen the appeal.

Voyager by Exile Pots is one of many abstract, experimental and captivating creations from the Exile Pots back catalog that we discovered recently. The release is by no means new material (having originally been recorded some time ago), but it is new to our ears and maybe yours. The lonely chimes from deep space echo, loop and dance like stars and planetary orbits, and whilst the parent Randomiser EP explores various sonic themes, Voyager is a particularly sweet and gentle example. Inspirational stuff, and lots of it!

Alright by suiix is the result of an apparently international collaboration (Berlin and Sydney) led by Sarah Julienne. The song impresses with mellow, breathy vocals and is blessed with subtle strokes from some skilled guitar drops. The beats stumble and stutter along a trip-hop vein, with pitched percussion peeping through the mix as the creation develops into a cascading flurry of strings, wandering vocals and wild intertwining guitar solos. Altogether this demonstrates some innovative production and arrangements, so hopefully we can expect more from this group in the near future.

 


Voxel Records Newsletter August 2015

 

If a comet was indeed destined to eliminate planet earth in the next month or so, then this does not give us nearly enough time to PANIC. Some say that the offending comet sounds like “hell” but if it’s anything like Rosetta, we think it sounds kinda cute.  Instead of living in abject fear of Armageddon this month, we have been collecting a few more choice echoes from the deep space of electronic music. Not only this, but we have also started generating playlists across various music platforms … keep your eyes on the Voxel Records news feed for the stuff we find!

Maze Car is currently on a voyage of discovery, attempting to create chiptune breaks in 8 bits (or less). We expect some funky, crunchy demos to be emerging soon enough – but just how much can the Maze Car squeeze out of his vintage toy collection?

What else did we find this month?

H-arth by Hyph-n – This producer from Melbourne commits to posting a new track every two weeks. This recent output demonstrates Hyph-n‘s consistent style well: singing synths and dry, weighty basslines play off each other over a laid back tempo. H-arth is full-on and close-up, tripping between a spiky trap impro and a more organic, mellow groove which reclines into the shadows. A bit like star-bathing under a cool night sky.

Co-Star by Michael Lantela – Co-Star opens with sticky glitch-esque trills, and the atmosphere builds into a cogent, rolling trip-hop beat with swirling effects. The bass growls menacingly throughout, and whilst the underlying percussion is often complex, the sheer mass of the crunchy drums keeps a solid underlying rhythm. Further nods to chip-tune and ambient are noted in this heavy, down-tempo affair.

Try To Forget by Laugh Lines – This tune dives into dark, distorted dub waves from the start. it swells and subsides between well-placed breakdowns, and Letitia’s sweet and clipped vocals provide the sheen on the finished product. much like lighting a match in a dark hall, this track illuminates and burns brightly before smouldering to an end in a faint puff of smoke.